Last weekend to celebrate W[estern] A[ustralia] Day, my favourite hockey people and I dressed up as the Natalie Port[beach]man Black Swans, which informed my choice for this week’s “Friday #the1001project” movie. I also read about four of Aesop’s fables, but don’t worry, I can predict that tomorrow will be the wind-up post for that one finally.
June 9, 2017
BOOK: Complete Fables, by Aesop
Tomorrow, I promise. Seriously, because it’s already “tomorrow” and I’ve finished it.
MOVIE: Black Swan (2010)
“See also: ‘Mental illness in film'”
“Black Swan is a 2010 American psychological thriller-horror film directed by Darren Aronofsky, written by Mark Heyman, Andrew Heinz and John McLaughlin, and starring Natalie Portman, Vincent Cassel, Mila Kunis and Winona Ryder. The plot revolves around a production of Tchaikovsky’s Swan Lake ballet by a prestigious New York City company. The production requires a ballerina to play the innocent and fragile White Swan, for which the committed dancer Nina (Portman) is a perfect fit, as well as the dark and sensual Black Swan, which are qualities better embodies by the new arrival Lily (Kunis). Nina is overwhelmed by a feeling of immense pressure when she finds herself competing for the part, causing her to lose her tenuous grip on reality and descend into a living nightmare.” Thanks Wikipedia for a more concise synopsis than I am capable of currently.
Black Swan has always been a movie that, considering my … concerns … with anxiety during the past few years, has seemed like a bad idea to watch, basically. Despite my infatuation with Mila Kunis, and my appreciation of Natalie Portman in movies that don’t include Star Wars, no attraction has counteracted my fear of the subsequent mental breakdown. But lately I’ve even been able to watch Freaks and Geeks without a panic attack, so I’m obviously growing as a person.
That’s not to say I had an uninteresting response to the film as this morning I woke up ready to kick life’s ass and didn’t even eat any carbs today. Emotionally I think Portman’s Portrayal of Nina struck a chord with me, the first person to admit that I am meek and timid in regards to self-confidence. You cannot be a boss-ass-bitch if you are concerned with being in control 100% of the time and even though that’s not entirely the point of this movie, it’s my personal moral for the week. Also: be hot and crazy and you’ll get everything you want, basically.
Cinematically, I thought this movie was well done. I grimaced in several places and that’s how you know a psychological thriller-horror movie is horribly thrilling, I guess. I once saw Red Shoes in a small hotel room in Kalbarri, and Black Swan recalled similar aesthetic and thematic motifs and, similarly, communicates the leads’ anxiety well. Aronofsky used camera angles and movement to simulate the movie’s rhythm of dance, and the striking colour palette well represented the shifts from naivety to proactivity on the protagonist’s part. And it’s pedantic, but the use of phonetic similarities in Nina/Lily – much like Odette/Odile – make the word-nerd in me happy.
Overall I really enjoyed Black Swan, wasn’t freaked out at all and woke up this morning ready to achieve anything. Let’s hope the similarities between myself and Nina end there.