Why don’t you come on over, Valerie?

franklywinehouse

I’m a Glee fan, that’s a fact I’ve shared with you all here before. So when the most recent Perth Fringe show I saw contained some variation on “my songs have now been butchered on shows like Glee“, well, it probably wasn’t the best time to bring up the fact that I’d been listening to the Glee cover of Valerie by Amy Winehouse in the car on the way to the show.

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In my defence, I’m a huge fan of shows that make difficult content more available, the ones that share music or film I wouldn’t have experienced otherwise, and do so in a relatable, fun and inspiring way. And like Glee, that is what Ashleigh Kreveld has done with Frankly Winehouse.

I promise I’m done mentioning Glee now.

A self described “all out cabaret”, Frankly Winehouse is a heartfelt and powerful tribute to the late Amy Winehouse, featuring music, stories and a completely unique experience from Kreveld herself – from the iconic beehive hair and make-up, right down to the characteristic sass of Winehouse herself.

Accompanied by a single pianist, it is Kreveld’s voice and passion that genuinely fill the stage and the room. True to her inspiration, Kreveld’s singing voice is powerful, masterfully covering the jazz stylings of Amy Winehouse, while simultaneously providing a raw and emotional biography of the troubled artist, including idiosyncratic quips and repartee with the audience.

As young men are wont to do, however, the usual accompanying pianist obtained a sports related injury mere hours before showtime, but an impromptu replacement allowed the show to go on. With admirable urgency and composure under pressure, this young artist showed not only artistic expertise, but also confidence in precarious circumstances – not assisted in the least by a particularly hot summer evening in a small and crowded venue.

The two artists combined to create an impressive and devastatingly sincere portrayal of Amy Winehouse, a performance which was both comedic and moving. One of the most impressive Fringe performances I have seen to date, I was honestly in sympathetic tears until finally at the end we got to SING ALONG TO VALERIE!

That’s not TECHNICALLY a Glee reference, it’s just me bringing this review full circle.

Unfortunately Frankly Winehouse‘s runs in both Perth and Adelaide are over for the year, but tickets for Melbourne shows are available here, and if you have an opportunity to future to see this show or anything else of Kreveld’s, I would particularly recommend it.

x Casey

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