Why don’t you come on over, Valerie?

franklywinehouse

I’m a Glee fan, that’s a fact I’ve shared with you all here before. So when the most recent Perth Fringe show I saw contained some variation on “my songs have now been butchered on shows like Glee“, well, it probably wasn’t the best time to bring up the fact that I’d been listening to the Glee cover of Valerie by Amy Winehouse in the car on the way to the show.

img_7408

In my defence, I’m a huge fan of shows that make difficult content more available, the ones that share music or film I wouldn’t have experienced otherwise, and do so in a relatable, fun and inspiring way. And like Glee, that is what Ashleigh Kreveld has done with Frankly Winehouse.

I promise I’m done mentioning Glee now.

A self described “all out cabaret”, Frankly Winehouse is a heartfelt and powerful tribute to the late Amy Winehouse, featuring music, stories and a completely unique experience from Kreveld herself – from the iconic beehive hair and make-up, right down to the characteristic sass of Winehouse herself.

Accompanied by a single pianist, it is Kreveld’s voice and passion that genuinely fill the stage and the room. True to her inspiration, Kreveld’s singing voice is powerful, masterfully covering the jazz stylings of Amy Winehouse, while simultaneously providing a raw and emotional biography of the troubled artist, including idiosyncratic quips and repartee with the audience.

As young men are wont to do, however, the usual accompanying pianist obtained a sports related injury mere hours before showtime, but an impromptu replacement allowed the show to go on. With admirable urgency and composure under pressure, this young artist showed not only artistic expertise, but also confidence in precarious circumstances – not assisted in the least by a particularly hot summer evening in a small and crowded venue.

The two artists combined to create an impressive and devastatingly sincere portrayal of Amy Winehouse, a performance which was both comedic and moving. One of the most impressive Fringe performances I have seen to date, I was honestly in sympathetic tears until finally at the end we got to SING ALONG TO VALERIE!

That’s not TECHNICALLY a Glee reference, it’s just me bringing this review full circle.

Unfortunately Frankly Winehouse‘s runs in both Perth and Adelaide are over for the year, but tickets for Melbourne shows are available here, and if you have an opportunity to future to see this show or anything else of Kreveld’s, I would particularly recommend it.

x Casey

Advertisements

I want my Baby [Got] Back, Baby [Got] Back, Baby [Got] Back…

babygotbackaus

I once heard someone quote that “all comedy is just everyone vying for the best dick joke” but a fortnight ago I watched a show focused on butts and now I have even more reason to believe fart jokes may actually be the road to world peace.

After sell-out seasons in 2015 & 2016, an all-new Baby Got Back returned to Perth Fringe to reprise their theatrical and comedic tribute to all things ass and where butts were promised, butts were delivered. Through the inclusion of multimedia presentation, dance, dramatic performance and even MAGIC, this all female cast isn’t afraid to utilise all of their ass-ets to keep their audience in both awe and side-splitting laughter for a full 60 minutes.

With several cogent references to the current state of opinion in regards to respect for all women and their bodies – size, shape or colour – this show is both entertaining and poignant. While the most enjoyable parts might be the humour and wild talent on stage, this inherently accepting and feminist show is a subtle reminder that while women have the right to exhibit everything they have, it’s worth remembering that while everything they have is on display for you to enjoy, it is not yours to touch or take photos of for later.

While ‘confronting’ is not often a category of shows I choose during Fringe, I’m glad I made this inspiring and adventurous deviation. The cast’s enthusiasm, pride, confidence and above all, talent left me feeling both entertained and empowered. The future is indeed female, and we as women can certainly stand to be a little nastier.

The run for Baby Got Back has ended for Perth unfortunately, but the cast are now headed to Adelaide’s Fringe festival, beginning on February 28th, and tickets and further information are available here.

Baby Got Back is was among the best shows I saw during Fringe 2017, and I’d recommend it for anyone who wants to be entertained, enlightened, or even appropriately and encouragingly aroused.

The show is strictly 18+ however, so remember that when you’re looking for a companion – take your mum, not your kids.